Aims & Scope

MPAR publishes research and practice-based inquiry that offers a clear scholarly, critical, historical, methodological or creative contribution to music and performing arts.

Scope

  • Musicology, ethnomusicology and music theory
  • Composition, improvisation and creative practice
  • Performance studies and performance research
  • Theatre, drama, dance and movement
  • Voice, sound studies and listening cultures
  • Popular, classical, folk, Indigenous and experimental practices
  • Music and performance technology, recording and digital media
  • Pedagogy, participation and community arts
  • Production, directing, dramaturgy, choreography and design
  • Archives, notation, repertoire and performance history
  • Arts policy, labour, institutions and cultural industries
  • Interdisciplinary and intercultural performance

Event reports, promotional reviews or descriptions of creative work without a clear method, critical argument and transferable contribution are outside scope.