PERFORMING ARTS REVIEW
Music & Sound Studies
Theatre & Performance
Dance & Movement
Creative Practice & Culture
VOLUME 1 · 2026
Authors should read the aims and scope before submission. Manuscripts and practice-research submissions must be original, clearly presented and not under review elsewhere.
State the research or creative question, context, method and contribution clearly. Identify works, performances, practitioners, communities, venues, recordings, editions and archives accurately. Practice-research submissions should explain the relationship between creative process, documentation, reflection and scholarly argument.
Describe audio, video, scores, scripts, images, movement notation, software and other documentation sufficiently for assessment. Provide stable links or supplementary files where permitted, with captions, credits, accessibility information and technical specifications.
Research involving performers, audiences, interviews, workshops, community knowledge or culturally restricted practice requires appropriate ethics review and informed consent where applicable. Respect performer rights, community protocols, cultural ownership, privacy, safety and the right to withdraw.
Authors must secure permission for copyrighted scores, lyrics, scripts, photographs, recordings, choreography, designs, archival material and substantial extracts not covered by a lawful exception or licence. Identify third-party rights clearly.
Provide a separate title page and anonymized manuscript for double-blind review. Disclose funding, competing interests, author contributions and material use of generative AI.
Online submissions are temporarily closed while MPAR completes its editorial setup.
Music & Sound Studies
Theatre & Performance
Dance & Movement
Creative Practice & Culture
VOLUME 1 · 2026