PERFORMING ARTS REVIEW
Music & Sound Studies
Theatre & Performance
Dance & Movement
Creative Practice & Culture
VOLUME 1 · 2026
Authors should read the aims and scope before submission. Manuscripts and practice-research submissions must be original, clearly presented and not under review elsewhere.
State the research or creative question, context, method and contribution clearly. Identify works, performances, practitioners, communities, venues, recordings, editions and archives accurately. Practice-research submissions should explain the relationship between creative process, documentation, reflection and scholarly argument.
Describe audio, video, scores, scripts, images, movement notation, software and other documentation sufficiently for assessment. Provide stable links or supplementary files where permitted, with captions, credits, accessibility information and technical specifications.
Research involving performers, audiences, interviews, workshops, community knowledge or culturally restricted practice requires appropriate ethics review and informed consent where applicable. Respect performer rights, community protocols, cultural ownership, privacy, safety and the right to withdraw.
Authors must secure permission for copyrighted scores, lyrics, scripts, photographs, recordings, choreography, designs, archival material and substantial extracts not covered by a lawful exception or licence. Identify third-party rights clearly.
Provide a separate title page and anonymized manuscript for double-blind review. Disclose funding, competing interests, author contributions and material use of generative AI.
Online submissions are temporarily closed while MPAR completes its editorial setup.
Music and Performing Arts Review (MPAR) respects the privacy of authors, reviewers, editors, readers, performers, participants and registered users. The journal may collect names, affiliations, contact details, ORCID iDs, account information, submission and review records, correspondence and technical logs needed to operate and secure the journal.
Information is used to manage editorial work, publish accepted articles and metadata, maintain the scholarly record and meet ethical or legal obligations. Access to non-public material is limited to authorized people who require it for journal operations.
Authors must remove personal, sensitive or culturally restricted information that they are not authorized to publish. Interviews, rehearsal records, photographs, recordings, audience data and community knowledge must be handled according to consent, ethics, performer rights, cultural protocols and applicable law.
MPAR does not sell personal information. Limited data may be processed by hosting, DOI, indexing, preservation, email or security services required to run the journal. Editorial records may be retained to document decisions and preserve research integrity.
Music & Sound Studies
Theatre & Performance
Dance & Movement
Creative Practice & Culture
VOLUME 1 · 2026